A new Buddhist temple has recently opened near our house, and free meditation classes are always on offer.  It’s a pleasant way to spend half an hour, and following a guided fantasy led by one of the orange-robed monks is pretty much guaranteed to lower your blood pressure a few points.

You’re required to sit on a straight-backed school chair, facing a gaudy altar covered in plastic flowers, fruit and shiny artefacts.  Draped behind that is a badly painted backdrop showing a couple of rowdy-looking laughing Buddhas, some clouds, and more flowers.

The contrast with our local Church of England building could not be more stark.  Hanging from various dark rafters are carvings of the crucified Christ, his tragic face downcast, his crown of thorns digging in to his brow.  Almost every stained glass window shows one of his tortured saints, along with the gruesome means of execution.

Christianity – as it was taught to me - seems to be all about suffering, and a good Christian must wallow in it.  When I was a child, “The Reader’s Digest” would be delivered to our cottage every month, full of lurid stories of American soldiers imprisoned by “the Japs” and “the Vietcong” and subjected to unspeakable tortures.  Unspeakable, and avidly read.

I was reminded of those stories when I read “Foxe’s Book of Martyrs: Select Narratives”, published by the Oxford University Press, as part of the Oxford World’s Classics series.

At the time the book first came out in the sixteenth century, it was the only book that most Protestants would ever read, apart from the Bible itself.  (As an aside, the Bible and “The Reader’s Digest” were pretty much all my Strict Baptist father ever read, four centuries later.)

Several editions were published, of varying length.  According to the frontispiece of the OUP volume:

“At about four times the length of the Bible, the fourth edition is the most physically imposing, complicated, technically demanding and best illustrated book of the Shakespearean age.  Although it contains an impressive array of genres, it is best remembered for its many moving accounts of the apprehension, imprisonment, interrogation and execution of Protestants who had been condemned as heretics.”

 

East Grinstead Millennium Mural Team; 1556 Martyrs Burnt at the Stake; Chequer Mead Theatre and Arts Centre Trust

As such, it is a tremendous piece of anti-Catholic propaganda which gave a massive push to English nationalism in defiance of foreign domination by popery.  Foxe seems to me to have been a kind of proto-Puritan, who believed that God was using the English as special people to prepare for the Second Coming.

John Foxe lived from 1516/7 to 1587, an incredibly volatile time for Protestants.  Henry VIII was persuaded to pursue Protestantism in order to secure his divorce from the first of his wives, Katherine of Aragon, but he was a religious conservative who remained attached to some Catholic tenets.  His son, Edward VI, was seen as the ideal progressive monarch by Protestants like Foxe; but when he died, Mary I reinstated Catholicism and swiftly provided most of the martyrs described in Foxe’s book.  Her successor, Elizabeth I, adopted a moderate Protestant path and never returned to the hard line of her half-brother.

John Foxe (1516/1517-1587), Martyrologist; Corpus Christi College, University of Cambridge

Long after Foxe’s death, the emotional impact of his “Book of Martyrs” continued to be felt.  Anti-Catholicism was rife at the time of the Gunpowder Plot, the Civil War and the Glorious Revolution; it made England a safe place for my Huguenot ancestors to take refuge in the 1680s.

Most potent in Foxe’s book of propaganda are the striking woodcuts, often of Protestants being burned at the stake, or otherwise tortured.  They are pictured as true heroes and heroines, steadfastly refusing to recant.  Examination of extant copies has shown that these illustrations were the most pored-over pages.

Irreverently, I can’t help thinking about the current trend for “mindfulness” adult colouring books when I look at these woodcuts.  Each one is meticulous in its detail, and beautifully drawn, in spite of – or perhaps more correctly, because of – its gruesome subject matter: the publishers were committed to their purpose, and knew how to pack a punch.

Foxe’s Book of Martyrs certainly served to focus the Protestant mind.  For a relaxing time this Christmas, however, you’d be better off with the Buddha and a nice colouring book:

Puppies to colour in

Foxe's Book of Martyrs Select Narratives

Find out more about a Puritan upbringing here:

To be disreputable, disrespectful, disobedient