Guest blog: Author Ann Vinden is currently writing a biography set in Chile during the nitrate extraction period. She writes here about horses, class and family.
No-one would have suggested learning to ride a horse as a means of independence in the shire counties where I grew up, and yet only two generations before me, a well-off young woman would of course have learned to ride. Both my grandfathers did well enough to be given not company cars, but ‘company horses’.
In 1905 on the Chilean Pampa (plateau) of Tarapacá, my maternal grandfather, Kenneth, was offered free use of any of the horses at his first oficina (nitrate plant) for evening exercise rides or outings. A journey with the boss to HQ in Iquique took him some five hours on horseback, fuelled by breakfast of a single eggnog. A dinner invitation would be an hour’s ride across the desert in any one direction. They thought nothing of such distances.
After one such dinner party, the Camanchaca, a freezing cloud, descended as he and a colleague returned across the Pampa to his oficina. Doubtless they had enjoyed a good few whiskies and Pisco Sours. The Camanchaca was as dense as the fogs of his Glasgow origins but made him twice as wet. They could barely see a foot ahead, and lost sight of the tracks home. Fearing the prospect of sleeping rough, prey to the ice cold and bandits, they learned a valuable lesson: the horses would not pause for a moment. They knew their own way home to the stable.
In December that year, after a series of quick promotions, Kenneth saved enough to buy his own independent transport: a horse, for £13, three-quarters of a month’s pay. Two years later, by his mid-twenties, another promotion won him the top job at an oficina. A ‘company horse’ was part of the package. Stables and a groom were thrown in gratis.
He sold his own horse, upgrading to the early twentieth century equivalent of a sports car: a so-called Polo ‘Pony,’ a full-sized thoroughbred. He played polo, his favourite sport, every Sunday morning in the dust of the Atacama Desert. Polo had been a vital training technique for cavalry from around the sixth century BC in Persia, but it had only spread to Britain through the British army in India in 1866 so was a relatively young sport.[1] An expensive pastime, it was played by the British aristocracy and their wealthy imitators the industrialist class, but like many in colonial settings, Kenneth and his work colleagues could also afford the trappings of wealth.

Kenneth and Alice at the Oficina, circa 1922. Copyright Ann Vinden
My grandmother, Alice, was born in Chile in 1881. She learned to ride and, as a young woman, rode as competently as the men, although always side saddle. She and Kenneth’s first flirtations began with a ride in the desert together.
Naturally, their children also learned to ride. They were put on a horse as pre-schoolers, and my aunt Kitty is pictured here on a pony named ‘Poroto’ - Spanish for ‘Bean.’ My mother still remembers being told off for playing with the tiny young groom who looked after Poroto. He was the son of a migrant worker: his father might have come from Bolivia, Southern Chile, Peru, or Argentina. They were a multinational workforce managed in the main by the British or. occasionally, other Europeans. The boundaries of the work hierarchy, of class, education and thereby - to some extent – race, were critical in managing control by the few over the many.

Kenneth photographs his eldest, Kitty, on Poroto, with traditional Chilean stirrups. The tiny groom, at his post, remains nameless. Copyright Ann Vinden
Ten years later in England, at the start of the First World War, my 19-year-old paternal grandfather Joe joined up and was quickly promoted to an officer post in the Suffolk Regiment and given his own war horse. After the War, having survived the Battle of the Somme, he became a career soldier and always had his own horse. In 1937, the War Office issued him with a Manual of Horsemastership. The Manual covered everything, even how to saddle, pack and ride a camel - that ‘horse designed by committee’[2].

Manual of Horsemanship issued by the War Office in 1937. Copyright Ann Vinden
The earliest picture I can recall of his son, my father, has him in India, seated on a war horse - a good 15-hander - straight-backed, confidently holding the reins, a servant holding the nose band. He must have been about three years old.
For me, as a child in Hertfordshire, contact with horses was largely thanks to the dwindling horse-drawn trades, the rag-and-bone man, milkman and coal men trundling their horses and carts down the road. My favourite horses, though, were the huge heavy horses that would plod slowly along the tow-path of the nearby river, dragging barges down to London and coal upstream to the power station. They would be unhitched from their load near the end of our road and while we watched in awe – and at a safe distance - were walked over the bridge to the other riverbank to continue their journey, their massive collars rattling with horse brasses.
My family had bought a house in a road that was cut off by the loop of a river, so that it felt like a village. Our ‘village’ had its own green belt, an orchard and fields that lay between us and the river. I was a gregarious kid who delighted in dragging my friends into exploring its possibilities, one of which was a paddock housing two horses. I thought all my friends loved horses but on reflection I can only remember being alone at the paddock gate, stroking the warm, soft muzzles. I doubt my parents or grandparents had the same feelings for their horses.
These horses were my companions, and I was deeply sad for their imagined abandonment, projecting my own loneliness and misery onto them. How I longed to ride them away, to bring them to be with people, somewhere they would be loved. My solitude at least was temporary: boarding school terms were shorter than those of my locally schooled friends and soon they too were released to play all day.
I was allowed two mementoes of horses at school: a three-inch high china horse and a black-framed round picture of a bay horse, signed and given to me by my patron and protector, a sixteen-year-old school prefect in my boarding house, Sarah. Every week of term I was obliged to polish her riding boots, in a girls’ school imitation of the boys’ ‘fagging’ system.
There were riding lessons on offer at school, but with all the kit - especially the regulation long riding boots - these were deemed too expensive. I suspect the lessons I took in the holidays were offered to me by my parents as compensation. I was kitted out with jodhpurs and riding hat (one with a lovely yellow lining, another green). I do not remember boots. I rode in an offshoot of the Epping Forest - gloriously coloured, bathed in dappled sunlight, the beech and birch woods seemed boundless.
But by the time I was sixteen my priorities and my politics had changed. I was desperate to have access to my own transport. The distances were too great and the hills too frequent for a bicycle to fit the bill. Motorbikes and scooters were out of the question, written off by my parents as way too dangerous, and lifts to social events - like under-age pub crawls - involved too much social control. They bribed me to wait until I was seventeen with the promise of driving lessons and by implication access to a car. My engineer father was clever enough to refurbish a clapped-out Fiat 600 to be my first vehicle, but not until I could change a wheel in the dark, change a spark plug, handle a major skid and of course, pass my test.
Riding was for its own sake and because I loved horses; but the car became for me, like Toad of Toad Hall, my abiding passion and liberation:
“Glorious, stirring sight! The poetry of motion! The real way to travel! The only way to travel! Here today - in next week tomorrow! Villages skipped, towns and cities jumped - always somebody else’s horizon! O bliss! O poop-poop! O my! O my!”[3]
You may also be interested in “When I bestride him, I soar, I am a hawk: he trots the air; the earth sings when he touches it…” which inspired Ann to write the piece above.
[1] Polo is the Baltistan word for ball. https://www.britannica.com/sports/polo/The-game.
[2] Financial Times 31st Jan 1976.
[3] Kenneth Grahame (1908) The Wind in the Willows Ch 1.
I would love to have seen the horses on the towpath pulling the barges. I live near the Wey Navigation where there are turning posts on bends showing the wear of ages from tow ropes. when horses ruled the day An evocative piece
Presumably Kenneth was involved in nitrate extraction through mining? (PS here I own up to my own ignorance on the subject). The reason I ask is that Cornwall has an amazing connection with mining in South America, Australia and South Africa as the region exported Cornish Mining skills at the labourer and management levels. It has prompted a song called ‘Cousin Jack’ by a folk band called Show of Hands – really worth a listen. https://youtu.be/zM11lnNekYI
There was mining of the caliche – rock ore – which was then crushed, boiled, and dried, to extract the nitrates salts which were then bagged up and (mostly) sold to farmers in UK, Europe and the US. One day I will write a book about it!
The links for the Cornish may well have been through tin mining which was in Bolivia and which expanded massively as Cornwall’s tin was becoming exhausted. There is a good website mapping the Cornish émigrés to South America: https://projects.exeter.ac.uk/cornishlatin/mapsandgraphs.htm
To my surprise they went all over South America including to Chile and Peru.
Cousin Jack by Show of Hands is a great song, catching the feel of the migrant miner. Recruitment into jobs abroad was often through families and Cornish men would address each other as Cousin Jack. One of Cornwall’s most famous sons, Richard Trevithick, took his steam engines to mine silver in Peru in 1816. The Cornish migrants were responsible, in part, for the spread of Methodism to South America and I wonder whether any were Huguenots. https://www.cornwallheritagetrust.org/timeline/industry-in-cornwall/
There was a group of Chilean Refugees in Birmingham used the band name Caliche in the early 80s. Used to play at one or two of our protest gigs. (Little guilt trip – every tune sounded the same to me but they all appeared to be about a poor peasant boy.)
https://www.youtube.com/watch?v=mHr94m6Vfu4&feature=youtu.be
Words to Cousin Jack by Show of Hands: https://www.flashlyrics.com/lyrics/show-of-hands/cousin-jack-01 (written in 1999)
This land is barren and broken,
Scarred like the face of the moon
Our tongue no longer spoken
The towns all around face ruin
Will there be work in New Brunswick?
Or will I find gold in the Cape?
If I tunnel way down to Australia
How will I ever escape?
Where there’s a mine or a hole in the ground
That’s what I’m heading for that’s where I’m bound
Look for me under the lode or inside the vein,
Where the copper, the clay, where the arsenic and tin
Run in your blood they get under your skin
I’m leaving the county behind and I’m not coming back
So follow me down Cousin Jack.
The soil was too poor to make Eden,
Granite and sea left no choice
Though visions of heaven sustained us,
When John Wesley gave us a voice
Did Joseph once come to St Michaels Mount?
Two thousand years pass in a dream
When you’re working your way in the darkness,
Deep in the heart of the seam.
Where there’s a mine or a hole in the ground
That’s what I’m heading for that’s where I’m bound
So look for me under the lode or inside the vein,
Where the copper, the clay, where the arsenic and tin
Run in your blood they get under your skin
I’m leaving the county behind and I’m not coming back
So follow me down Cousin Jack.
I dream of a bridge cross the Tamar
It opens us up to the East
In my dreams I see English living in our houses
I see Spanish fishing in our seas
Where there’s a mine or a hole in the ground
That’s what I’m heading for that’s where I’m bound
So look for me under the lode or inside the vein,
Where the copper, the clay, where arsenic and tin
Run in your blood and under your skin
I’m leaving the county behind and I’m not coming back
So follow me down Cousin Jack.
The Cornish were deep level experts, hence in demand all over. My father-in-law’s family moved from Cornwall to work seams that ran under the sea near Newcastle. There’s a wonderful collection of letters sent from all over the world with donations for the miners’ chapel in Truro cathedral. Royal Cornish Institute has them, I think. https://www.royalcornwallmuseum.org.uk/our-collection/courtney-library
What a fascinating piece, Ann! You have skilfully woven in what you’ve learned about Kenneth and his family in Chile with memories of your own passion for horses. The details about Kenneth’s riding experiences are great. So evocative, as John wrote. And the photo of Kitty and her stout little groom looking so patiently out at us took me a long way from my COVID bound world in 2021. Even your own childhood though really not so far away seems like another world. Clever transition to the car at the end – with sunshine outside my window today and the sound of birdsong asa background, it was good to read those words from Wind in the Willows always so redolent of spring. Made me want to reread it. 😊
Thank you Monique. The stout little groom was probably older than he looks to our modern eyes but still child labour. There is another picture of him on Poroto which reminded me of Thelwell’s cartoons of children on horseback, his little legs barely reaching the stirrups which are large wooden bell-like contraptions…as you can see in the picture above.
What a splendidly evocative piece! I especially enjoyed the conceit about company horses versus company cars. But the post draws out so well a sense of place and time. So far away and so long ago but all brought alive for a contemporary reader. Thank you.
Yes…conceit is an interesting word…perhaps a horse wasn’t seen as a status symbol, in the same way as the Ford Cortina was to Essex man. But with running costs and maintenance thrown in, then as now, it would be the equivalent of a sizeable chunk of salary – so for a young person – very handy.